Showing posts with label Lawrence Wright. Show all posts
Showing posts with label Lawrence Wright. Show all posts

The Long and the Short of It

If I didn't know better (and perhaps I don't), I would swear that my two favorite book awards are trying to one-up each other.
First came the news in January that the National Book Award was "re-examining its rules" and would for the first time ever introduce four long lists for each of its award categories - Poetry, Young People's Literature, Fiction, and Nonfiction. This would allow room for more nominees, and would also mirror what another British award program just happens to do already.
That was followed yesterday by the announcement that the Man Booker Prize had also done some soul-searching. They have long had a long list (sorry), but have now decided to open the contest up to all "writing in English," not just English writing. That may seem like hair-splitting, but the Man Booker previously was open only to UK citizens. Now this "global expansion" opens the award to writers from "Chicago to Sheffield to Shanghai."
Here is my color commentary on this one-on-one game: NBA knocked the ball out of the MBP court with its new long lists. Then MBP said, "oh no you didn't," stole the ball back, and took it right to NBA's own home turf. Boom.
If you think I'm making a Jets vs Sharks thing out of nothing, let me also point out that there was a little matter of dates. The National Book Award had said it would announce its long list right on top of the Man Booker's announce date for its short list (see the NBA long lists below). And, coincidentally, the short list for the NBA will be only one day after the Man Booker names its winner in October. Hmmmm.
But after this major change to the Man Booker, I think the ball is in your court, NBA. Play nicely, everyone.

National Book Award Long Lists


Fiction
Pacific, by Tom Drury
The End of the Point, by Elizabeth Graver
The Flame Throwers, by Rachel Kushner
The Lowland, by Jhumpa Lahiri (shortlisted for the Man Booker)
A Constellation of Vital Phenomena, by Anthony Marra
The Good Lord Bird, by James McBride
Someone, by Alice McDermott
Bleeding Edge, by Thomas Pynchon
Tenth of December, by George Saunders
Fools, by Joan Silber

Nonfiction (evidently the rules say the title must include a colon)
Finding Florida: The True Story of the Sunshine State, T.D. Allman
Facing the Wave: A Journey in the Wake of the Tsunami, by Gretel Ehrlich
The Wolf and the Watchman: A Father, a Son, and the CIA, by Scott C. Johnson
Book of Ages: The Life and Opinions of Jane Franklin, by Jill Lepore
Hitler's Furies: German Women in the Nazi Killing Fields, by Wendy Lower
Freedom National: The Destruction of Slavery in the United States 1861-1865, by James Oakes
The Unwinding: An Inner History of the New America, by George Packer
The Internal Enemy: Slavery and War in Virginia 1772-1832, by Alan Taylor
Duke: A Life of Duke Ellington, by Terry Teachout
Going Clear: Scientology, Hollywood, & the Prison of Belief, by Lawrence Wright (see my review here)

Poetry
Metaphysical Dog, by Frank Bidart
Bury My Clothes, by Roger Bonair-Agard
Stay, Illusion, by Lucie Brock-Broido
So Recently Rent a World, New and Selected Poems 1968-2012, by Andrei Codrescu
Seasonal Works with Letters on Fire, by Brenda Hillman
The Big Smoke, by Adrian Matejka
American Amnesiac, by Diane Raptosh
Black Aperture, by Matt Rasmussen
Transfer of Qualities, by Martha Ronk
Incarnadine: Poems, by Mary Szybist

Young People's Literature
The True Blue Scouts of Sugar Man Swamp, by Kathi Appelt
Flora and Ulysses: The Illuminated Adventures, by Kate DiCamillo
A Tangle of Knots, by Lisa Graff
The Summer Prince, by Alaya Dawn Johnson
The Thing About Luck, by Cynthia Kadohata
Two Boys Kissing, by David Levithan
Far Far Away, by Tom McNeal
Picture Me Gone, by Meg Rosoff
The Real Boy, by Anne Ursu
Boxers & Saints, by Gene Luen Yang

Review + Recipe: It's All Clear Now

Review: Going Clear: Scientology, Hollywood,
& the Prison of Belief

by Lawrence Wright
After spending a (very) long night watching the Oscars, I thought it would be appropriate to review a book about Hollywood-centric religion, namely Scientology. I actually had to think about whether and how I would review it, though, because the book's non-stop litany of how Scientology's leaders attack anyone who speaks against them is chilling, and makes one quite paranoid.
Oh well. According to the author, there are only 25,000 of them left, so here goes.
First, let's get the credentials out of the way. Lawrence Wright is a Pulitzer Prize winner, the author of many other books, and a meticulous reporter for The New Yorker who had this book vetted by a veritable army of lawyers. He even tries, where called for, to be very fair and to present both sides. But the facts aren't pretty, and should give anyone pause.
Let's be clear (pardon the pun), this is country that celebrates its craziness and righteously defends its right to whatever religion one wants to join. And many of those religions have started out in odd, and in some cases unbelievable, ways.
But Scientology's founding and early days are beyond the pale. Consider that L. Ron Hubbard (L. is for Lafayette) began as an "explorer," a man who wanted to find fame and glory, or to invent it if need be. His first "glorious adventure" was prescient: a strange expedition that was underfunded and over-promised by Hubbard, with the participants calling it "the worst and most unpleasant" trip they had ever been on.
And then consider that Hubbard started his writing career in pulp fiction, churning out lurid and amazing stories full of aliens, zombies, and overlords. Sound familiar?
By the middle of Going Clear, a not-very-flattering portrait of Hubbard is in place. He is a bully, a misogynist, a dreamer, and a man full of hubris. He has obsessions – with women, with drugs, with reaching a "higher plane," and he begins to believe in his own omnipotence.
He could have been just another overblown and under-accomplished man if he had appeared at any other time in history. But the post-war generation of the '50s and '60s was in search of meaning and many weren't finding it in the usual religions. Hubbard's ideas and beliefs sounded just "out there" enough to be true. After all, it was all supposed to be based on science, with a dash of psychotherapy thrown in for good measure.
The shock for me is how big the Church of Scientology once was, since its initial extensive reach occurred before or during my early childhood. For example, in 1963 the FDA seized all E-Meters, instruments critical to "reading" subjects and helping them on their path to unblocking their minds and becoming "Clear" (hence the title).
In 1967, the IRS removed the Church's tax exemption, and many countries banned the religion and refused entry to Hubbard and his followers.
But the most shocking (and well-cataloged) point in the book for me was the revelation of Operation Snow White, which saw as many as 5,000 Scientologists placed in governmental agencies in countries around the world in the '70s. That includes the IRS, the Justice, Labor and Treasury Departments, the DEA, and more in the United States. The idea was to affect any decisions that would adversely impact the Church, and to also try to "take over" a country that the Church, and Hubbard, could run. And then there are the many documented cases of the Church suing anyone and everyone who tried to thwart their goals.
In its earliest days, Hubbard wanted to target Hollywood, where he saw the richest and most vulnerable pickings. By using his network's influence, and the lack of confidence in many of Hollywood's citizens, the Church was able to manipulate many to believe that its teachings could change their careers and their lives. The Church's leaders would go to extreme lengths to keep its stars happy, and under the Church's control.
It's telling to me that more attention was paid by the general public to the Church and its oddities after Hollywood's big names became involved than when all of the thousands of other nameless people became so wrapped up in it – often suffering loss, pain, and degradation in the process. Thus is the way of our Paris Hilton world, I suppose, but it's galling.
Before this review gets too long, because I could talk about the book all day, let me just say that it is well-written, well-researched, and endlessly fascinating. It's really the last part of Wright's title that had me so enthralled: "The Prison of Belief." As we all search for meaning in the world, it can be far too easy to be trapped by what we seek, rather than to be happy with what we find.

Recipe: A Clear Winner

I don't know about you, but all of this talk of existentialism has me jonesing for a drink. One of my favorite drinks is a fabulous punch full of crazy ingredients. Hmmm, a not-so-subtle complement to a crazy group that packs a punch, no? Sip slowly, or it will go to your head.
1 10-oz package of frozen raspberries in syrup, thawed
1 cup fresh lime juice
bunch of mint
1 cup water
1/2 cup vodka
1/4 cup Pernod
3/4 cup sugar
10 ounces of ginger ale
Drain raspberries and mash gently through a sieve or colander to get 1/2 cup juice. Stir all liquids together with sugar until the sugar dissolves and then chill. Add ginger ale before serving in tall glasses with raspberries added. Use mint as desired.